Man, it’s been forever since I updated, but September was a crazy month. My three-year old started school, my husband was all over the world, I had lots of freelancing work to do (yay!), and I had to adjust (am still adjusting) to a completely different work schedule.
Perhaps because September was so stressful, I experienced a sensation that I have only felt once or twice before in my life: I didn’t feel like reading.
For those who know me, this is a huge deal – perhaps even unthinkable. I’m someone who won’t buy a purse, no matter how fashionable, if I can’t fit a small paperback into it. I panic if I go on holiday and I think I haven’t brought along enough books. My husband says, not entirely with admiration, that I’m addicted to books.
I’m beginning to think he’s right because even though I didn’t feel like reading last month, I still craved it. I didn’t want to but I had to read. It was weird. I would climb into bed at night, wanting nothing more than to go to sleep, but instead of punching my pillow and turning the lights off, I’d find myself looking through the books on my nightstand (which is actually a full-sized bookcase), feeling distressed because absolutely nothing appealed to me and yet I knew I needed something.
The book that finally appeased my soul was this: Harry Potter. Any of ‘em. All of ‘em. (Well, except the last).
Why Harry Potter? After giving it some thought, here’s what I figured out: the reason I didn’t feel like reading was because reading had become work. I couldn’t read a magazine without thinking of topics that I might pitch. I couldn’t read a non-fiction book without thinking about my own non-fiction WIP that so desperately needs my attention. I couldn’t read a fiction book without analyzing sentence structure, character development, the author’s word choice, or fretting about when I will ever have time for fiction again.
But when reading Harry Potter, all of that fell away. Not only is Harry Potter’s world a wonderful place in which to spend time, the JK Rowling story is one that warms the heart of any writer. I’m sure you know the tale: a depressed single-mom, down on her luck, comes up with an idea about a boy wizard while stuck on a train, writes the book, is rejected 12 times, but eventually finds and publisher and goes on to become the first writer billionaire. I love it! Reading the books with this in mind, all I felt was pleasure and inspiration. Just the thing a tired mom needs.
October is shaping up to be just as busy as September and I’m probably going to finish re-re-re-reading the Harry Potter series in the next week or so. Does anyone have another suggestion for a good book to read when you really don’t feel like reading?
It's not for myself that I'm asking. It's for a....friend.
Tuesday, October 5, 2010
Wednesday, September 8, 2010
International Freelancer's Day
Were you aware that September 24th is International Freelancer's Day?
Me neither.
But it is. In honor of this day, there is going to be international online video conference exclusively for “the solo professional.” (Note that this isn’t just for freelance writers, but freelancers of all stripes, from copywriters to graphic designers to translators.)
According to the website, on September 24 and 25th, conference participants will have access to 10-15 video presentations per day featuring topics relevant to building a successful freelance business. Just as with a regular conference, the videos will play at a certain time and date. And best of all – it’s free! All you have to do is sign up.
I’ll definitely be watching at least a few of the videos. As I pointed out a few months ago, we expat freelancers often have to go through a lot of trouble to attend conferences, so it’s great to have one that we don’t even need shoes to attend. Moreover, I’m optimistic about the conference because it’s being organized by Steve Slaunwhite, Ed Gandia, and Pete Savage, the three authors of “The Wealthy Freelancer” – a book I’m currently reading. I’ll review the book on this blog in a few days, but I’ll say right now that I’m really enjoying it. These guys have something good - and new – to say.
If you’re still not convinced about the conference, watch the introductory video on the conference’s website. It’s not super-informative as to the actual events, but nevertheless gets you all jazzed up to participate and proud of being a freelancer. It makes us seem like we’re Gladiators or something.
Me neither.
But it is. In honor of this day, there is going to be international online video conference exclusively for “the solo professional.” (Note that this isn’t just for freelance writers, but freelancers of all stripes, from copywriters to graphic designers to translators.)
According to the website, on September 24 and 25th, conference participants will have access to 10-15 video presentations per day featuring topics relevant to building a successful freelance business. Just as with a regular conference, the videos will play at a certain time and date. And best of all – it’s free! All you have to do is sign up.
I’ll definitely be watching at least a few of the videos. As I pointed out a few months ago, we expat freelancers often have to go through a lot of trouble to attend conferences, so it’s great to have one that we don’t even need shoes to attend. Moreover, I’m optimistic about the conference because it’s being organized by Steve Slaunwhite, Ed Gandia, and Pete Savage, the three authors of “The Wealthy Freelancer” – a book I’m currently reading. I’ll review the book on this blog in a few days, but I’ll say right now that I’m really enjoying it. These guys have something good - and new – to say.
If you’re still not convinced about the conference, watch the introductory video on the conference’s website. It’s not super-informative as to the actual events, but nevertheless gets you all jazzed up to participate and proud of being a freelancer. It makes us seem like we’re Gladiators or something.
Saturday, September 4, 2010
A Post for la Rentree: What My Law Career Taught Me About Freelancing
Since everyone in France goes on summer vacation at roughly the same time, the return to normal life in September is called "la rentrée" (the re-entry). It's one of my favorite times of the year, not only because the weather tends to be at its best, but because Parisians are so unusually cheerful and I like the laid-back, almost careless way everyone eases into their regular routines. One is busy, returning phone calls, answering emails, getting kids ready for school -- but not stressed. It's as if the entire city has recently awoken, yawning and smiling, from a long, pleasant nap.
In the laid-back spirit la rentrée, I return to this blog simply by linking an article I recently wrote for FreelanceSwitch.com called "What My Law Career Taught Me about Freelance Writing." My life as lawyer definitely taught me a thing or two about how to run a freelance business.
Happy Autumn!
In the laid-back spirit la rentrée, I return to this blog simply by linking an article I recently wrote for FreelanceSwitch.com called "What My Law Career Taught Me about Freelance Writing." My life as lawyer definitely taught me a thing or two about how to run a freelance business.
Happy Autumn!
Tuesday, July 6, 2010
Notes from the Motherland
Ahhh...it's great to be in the Motherland. When I walk into the bookstore and see the array of magazines on display (so bountiful and so cheap, compared to the jacked up international prices) I bemoan my expat status. How easy freelancers have it here! I think. I would be churning out dozens of queries a week, if I lived here.
It's not true, of course. My two little monsters are the primary reason I don’t write more, not my diminished access to U.S. writing markets. But nonetheless, I am scrambling to take advantage of my time in the U.S. and accomplish a slew of freelancing tasks that are easier to do over here than over there.
For the expat freelancer that may be visiting his or her home country for a spell this summer, here are a few freelance-related duties you might want to take care of while there:
1. Pay a lengthy visit to the bookstore.
I’ve always adored books and bookstores, so it’s great to have a job that virtually demands that I spend a lot of time in one. When I’m at a bookstore for professional purposes, I spend about 60% of my time hanging out at the magazine stand, searching for new markets and staying updated on old ones. I spend 30% of the time checking out the latest nonfiction books to assess which topics are hot and might be relevant to articles or queries that I have in the pipeline. I jot down any titles and/or authors that might be a good future source. The remainder of the time, I loaf around in fiction.
2. Research at the library.
Expat freelancers based in Paris are lucky to have the American Library in Paris at their disposal. But the library is based upon donations and doesn’t always have the most recent books. Neither do online libraries. So, when I return to the U.S., I always bring a list of topics that I want to research in the library while I’m there.
3. Do some interviews
Most of the sources that I interview are based in the U.S. When possible, I schedule telephone interviews while I’m in the U.S. so that I don’t have to deal with huge time zone differences. Trying to schedule a phone interview with a person in Seattle while I’m in France just sucks.
4. Check out local markets
I am fiercely jealous of freelancers based in their home country because not only they (probably) have an easier time finding new markets, they also have access to plenty of local markets. While at home, I grab up every halfway interesting-looking local paper, magazine or rag. Most of the time they publish local news, but some of them have travel departments that may be worth looking into.
5. Take an Editor to Lunch
Two of my favorite freelance writing guidebooks recommend occasionally taking editors that you work for out for lunch to improve client relations and get an opportunity to present your ideas in person. Hmmph. None of the publications I write for are based in my home city and, even if there was one here, I’m not sure whether I’d actually have the gumption to ask an editor out for lunch. It sounds like a good idea, though, if you think the editor might be amenable to that sort of thing and you have the sort of personality that could pull a lunch like that off. Me, I’m not ready for that. Maybe next summer.
It's not true, of course. My two little monsters are the primary reason I don’t write more, not my diminished access to U.S. writing markets. But nonetheless, I am scrambling to take advantage of my time in the U.S. and accomplish a slew of freelancing tasks that are easier to do over here than over there.
For the expat freelancer that may be visiting his or her home country for a spell this summer, here are a few freelance-related duties you might want to take care of while there:
1. Pay a lengthy visit to the bookstore.
I’ve always adored books and bookstores, so it’s great to have a job that virtually demands that I spend a lot of time in one. When I’m at a bookstore for professional purposes, I spend about 60% of my time hanging out at the magazine stand, searching for new markets and staying updated on old ones. I spend 30% of the time checking out the latest nonfiction books to assess which topics are hot and might be relevant to articles or queries that I have in the pipeline. I jot down any titles and/or authors that might be a good future source. The remainder of the time, I loaf around in fiction.
2. Research at the library.
Expat freelancers based in Paris are lucky to have the American Library in Paris at their disposal. But the library is based upon donations and doesn’t always have the most recent books. Neither do online libraries. So, when I return to the U.S., I always bring a list of topics that I want to research in the library while I’m there.
3. Do some interviews
Most of the sources that I interview are based in the U.S. When possible, I schedule telephone interviews while I’m in the U.S. so that I don’t have to deal with huge time zone differences. Trying to schedule a phone interview with a person in Seattle while I’m in France just sucks.
4. Check out local markets
I am fiercely jealous of freelancers based in their home country because not only they (probably) have an easier time finding new markets, they also have access to plenty of local markets. While at home, I grab up every halfway interesting-looking local paper, magazine or rag. Most of the time they publish local news, but some of them have travel departments that may be worth looking into.
5. Take an Editor to Lunch
Two of my favorite freelance writing guidebooks recommend occasionally taking editors that you work for out for lunch to improve client relations and get an opportunity to present your ideas in person. Hmmph. None of the publications I write for are based in my home city and, even if there was one here, I’m not sure whether I’d actually have the gumption to ask an editor out for lunch. It sounds like a good idea, though, if you think the editor might be amenable to that sort of thing and you have the sort of personality that could pull a lunch like that off. Me, I’m not ready for that. Maybe next summer.
Wednesday, June 16, 2010
Don't. Stop. Me. Now! (I'm having such a good time... having a ball...)
I wasn’t sure where to put this post – here or at my other blog, International Mama. But I guess it’s most appropriate here since maybe other expat freelancers can relate.
In my last post, I mentioned how living abroad means working around an unfamiliar vacation schedule. I was pretty cheery about it in that post, having just spent 10 days in the sunny climes of Biarritz. But now it’s the middle of June and my real summer vacation is looming in front of me like a black hole. I know that as much as I’ll fight it initially, come the start of July I’m going to get sucked into that hole and not fully emerge until the beginning of September. It’s making me sad.
People who don’t freelance don’t really get it: “Just enjoy!” they say. Or, if American they say, “I wish I had so much vacation.” And I respond: “I wish someone would continue to pay me during my vacations!”
But, you know what? It isn’t just missing out on a paycheck. I hate losing momentum. I’ve had some great breaks in the past two months and I want to keep riding on that high you get when people like – and pay for - your work. Vacations make me happy but so does getting an email that says: “love that story idea…will be sending you a contract shortly.” My husband thinks I’m a workaholic. But really I just love writing. I love building a career from scratch. I love feeling increasingly confident about my work and taking on bigger challenges.
Right about now, you might be saying: so, don’t take such a long vacation. Uh-huh, I hear through my computer. Well, the thing is, my other job requires me to go on vacation: my mom job. The tots need to spend time with my family in the U.S. They need to see their family in Germany. They need to spend time with me and my husband, when we’re not sneaking glances at our cell phones or “just quickly checking” something on the computer. To accomplish all this traveling takes time – and thank goodness for our kids – time is something we have.
I know that once vacation starts, I won’t be worrying too much about the work I’m missing. I’ll get a chance to do some personal journaling. I’ll get lots of article ideas. And I’ll get my writing groove back in September. Still, as vacation inches ever closer, I can’t help but feel as if I’m preparing to say goodbye to a good friend for awhile.
Readers - what about you? Are you reluctant to stop working? Is this an expat problem or a freelancer problem? Or maybe a mom problem?
In my last post, I mentioned how living abroad means working around an unfamiliar vacation schedule. I was pretty cheery about it in that post, having just spent 10 days in the sunny climes of Biarritz. But now it’s the middle of June and my real summer vacation is looming in front of me like a black hole. I know that as much as I’ll fight it initially, come the start of July I’m going to get sucked into that hole and not fully emerge until the beginning of September. It’s making me sad.
People who don’t freelance don’t really get it: “Just enjoy!” they say. Or, if American they say, “I wish I had so much vacation.” And I respond: “I wish someone would continue to pay me during my vacations!”
But, you know what? It isn’t just missing out on a paycheck. I hate losing momentum. I’ve had some great breaks in the past two months and I want to keep riding on that high you get when people like – and pay for - your work. Vacations make me happy but so does getting an email that says: “love that story idea…will be sending you a contract shortly.” My husband thinks I’m a workaholic. But really I just love writing. I love building a career from scratch. I love feeling increasingly confident about my work and taking on bigger challenges.
Right about now, you might be saying: so, don’t take such a long vacation. Uh-huh, I hear through my computer. Well, the thing is, my other job requires me to go on vacation: my mom job. The tots need to spend time with my family in the U.S. They need to see their family in Germany. They need to spend time with me and my husband, when we’re not sneaking glances at our cell phones or “just quickly checking” something on the computer. To accomplish all this traveling takes time – and thank goodness for our kids – time is something we have.
I know that once vacation starts, I won’t be worrying too much about the work I’m missing. I’ll get a chance to do some personal journaling. I’ll get lots of article ideas. And I’ll get my writing groove back in September. Still, as vacation inches ever closer, I can’t help but feel as if I’m preparing to say goodbye to a good friend for awhile.
Readers - what about you? Are you reluctant to stop working? Is this an expat problem or a freelancer problem? Or maybe a mom problem?
Wednesday, June 2, 2010
5 More Ways to Make Money as a Freelancer
Sorry for the radio silence! In France, May is packed with holidays and I – along with about a quarter of the population – was on vacation. One of the funny things about being an expat is that you adopt the customs of the country that you’re living in, which creates a culturally unfamiliar vacation schedule. A couple of years ago, an editor asked me to write a feature that required tons of research just before I was leaving for a month-long vacation in Italy. I recall being excited about breaking into this particular magazine, but shocked that he expected me to work in August! In France, pretty much nobody works in August! Only the essentials. I had to remind myself that in the U.S. I wouldn’t have blinked an eye at the timing of this assignment (I wouldn’t have been on vacation for four consecutive weeks anyway), and dragged several thick books to Italy with me.
Anyway. A while ago I wrote a post about 5 ways to make money as a freelancer and promised to come up with a few more ideas. Here they are!
1. Write an email newsletter
I am currently subscribed to some 15-20 email newsletters (no, I don’t read them all). Somehow it only dawned on me a few months ago that the authors of these newsletters aren’t merely writing these things for publicity or out of the goodness of their hearts – they’re getting cash money for them! Some make their money through advertising…others have sponsors…and a few, have readers willing to pay for the news.
Having never written for an email newsletter, I’m not sure how to begin. I do know that you can either start your own newsletter on a topic that interests you, or you can try to find a job as a newsletter writer for an organization that might like or need one. Bizymoms.com has some good information on how to start your own.
2. Teach writing
This is a variation on the standard “teach English” job that many of us expat have done (or thought about doing). I imagine that if you’re not in an English-speaking country, there are plenty of people in your adopted country who want to improve their written English as well as their spoken English. Think business people who have Anglophone clients, people who want to find a job in an Anglophone country, or those who are staying put, but want to make themselves more marketable. Students, too, might be willing to cough up a few Euros (yen, pesos, dinar, etc.) to receive instruction on a certain type of writing. You could even set up a one-day seminar, where you teach several students at once.
Even though we’re abroad, we’re not limited to teaching the locals. If you’re a reasonably established writer, you may be able to find a teaching job on the ‘net, or even at a local university. Non-expats: think about contacting a community college with an idea for a course.
3. Ghostwriting
This has been on my mind since seeing Roman Polanski’s “Ghostwriter.” How strange is it to write an entire book and never see your name on the cover? Not being able to admit that you wrote it? I don’t think I’d like that. But hey – not only books are ghost written. Articles, columns, and even some blogs are ghostwritten. And from what I understand, the pay can be quite good. Here’s a website by British ghostwriter Andrew Crofts about how and why he got started in the ghostwriting business.
4. E-books
E-books are the wave of the…present. They’re here. They’re now. They’re an excellent way to make a tidy residual income, if you pick the right topic and market it well. For more thoughts on why and how you should write an E-book, take a look at Remarkablogger’s post: How to Write an E-book that Doesn’t Suck. It's funny. And very true.
5. Translation Services
For you lucky expat freelancers that have mastered the language of your adopted country, you can make good money on the side by starting up a freelance translating business. My husband just had to have his birth certificate translated – and that single page cost 52 Euros! Of course, these translators are long-time pros recommended by the American Embassy for official business, but still. It’s an indicator of the kind of money you can make. If you’re interested in learning more, check out the American Translators Association. Even though it's for American residing in the U.S., it’s full of good tips on starting a translation career.
So there you go. I'll try to post more regularly now...well, until August.
Anyway. A while ago I wrote a post about 5 ways to make money as a freelancer and promised to come up with a few more ideas. Here they are!
1. Write an email newsletter
I am currently subscribed to some 15-20 email newsletters (no, I don’t read them all). Somehow it only dawned on me a few months ago that the authors of these newsletters aren’t merely writing these things for publicity or out of the goodness of their hearts – they’re getting cash money for them! Some make their money through advertising…others have sponsors…and a few, have readers willing to pay for the news.
Having never written for an email newsletter, I’m not sure how to begin. I do know that you can either start your own newsletter on a topic that interests you, or you can try to find a job as a newsletter writer for an organization that might like or need one. Bizymoms.com has some good information on how to start your own.
2. Teach writing
This is a variation on the standard “teach English” job that many of us expat have done (or thought about doing). I imagine that if you’re not in an English-speaking country, there are plenty of people in your adopted country who want to improve their written English as well as their spoken English. Think business people who have Anglophone clients, people who want to find a job in an Anglophone country, or those who are staying put, but want to make themselves more marketable. Students, too, might be willing to cough up a few Euros (yen, pesos, dinar, etc.) to receive instruction on a certain type of writing. You could even set up a one-day seminar, where you teach several students at once.
Even though we’re abroad, we’re not limited to teaching the locals. If you’re a reasonably established writer, you may be able to find a teaching job on the ‘net, or even at a local university. Non-expats: think about contacting a community college with an idea for a course.
3. Ghostwriting
This has been on my mind since seeing Roman Polanski’s “Ghostwriter.” How strange is it to write an entire book and never see your name on the cover? Not being able to admit that you wrote it? I don’t think I’d like that. But hey – not only books are ghost written. Articles, columns, and even some blogs are ghostwritten. And from what I understand, the pay can be quite good. Here’s a website by British ghostwriter Andrew Crofts about how and why he got started in the ghostwriting business.
4. E-books
E-books are the wave of the…present. They’re here. They’re now. They’re an excellent way to make a tidy residual income, if you pick the right topic and market it well. For more thoughts on why and how you should write an E-book, take a look at Remarkablogger’s post: How to Write an E-book that Doesn’t Suck. It's funny. And very true.
5. Translation Services
For you lucky expat freelancers that have mastered the language of your adopted country, you can make good money on the side by starting up a freelance translating business. My husband just had to have his birth certificate translated – and that single page cost 52 Euros! Of course, these translators are long-time pros recommended by the American Embassy for official business, but still. It’s an indicator of the kind of money you can make. If you’re interested in learning more, check out the American Translators Association. Even though it's for American residing in the U.S., it’s full of good tips on starting a translation career.
So there you go. I'll try to post more regularly now...well, until August.
Sunday, May 9, 2010
WordHustler - A free magazine database!
Hi folks - found another handy source for finding markets that I thought I'd share with you. It's called WordHustler and it's actually a submission platform for writers. Among its many features, it automatically sends out and tracks submissions for you, allowing you to review all your outstanding submissions at a glance and know their status (published, pending, rejected, etc.) instantly.
While it mostly appears to be designed for fiction writers (all of their examples seem related to novels and screenplays), but it is clearly mean for freelancers and non-fiction writers as well. It has a "markets" database that lists over 5,000 magazine publishers, literary agents, contests, etc. with proper contact information. You can search by a variety of categories, such as travel, health, essay markets and so forth. I spent about a half-hour browsing the markets and came up with several interesting publications I hadn't heard of before.
Searching the market listings is free but having the program send and track queries costs $2.99 per query letter. To me, this seems a bit steep considering I can do it myself for free. But for those who have the ability to churn out dozens of queries each week, maybe it's worth it. (Again, I think the service part is better geared to fiction writers or those with longer-length projects). Anyway, I think it's worth checking out, even if just for the market database.
If there's anyone out there who has tried WordHustler's other services, feel free to comment on this blog and tell us whether it's worth it!
While it mostly appears to be designed for fiction writers (all of their examples seem related to novels and screenplays), but it is clearly mean for freelancers and non-fiction writers as well. It has a "markets" database that lists over 5,000 magazine publishers, literary agents, contests, etc. with proper contact information. You can search by a variety of categories, such as travel, health, essay markets and so forth. I spent about a half-hour browsing the markets and came up with several interesting publications I hadn't heard of before.
Searching the market listings is free but having the program send and track queries costs $2.99 per query letter. To me, this seems a bit steep considering I can do it myself for free. But for those who have the ability to churn out dozens of queries each week, maybe it's worth it. (Again, I think the service part is better geared to fiction writers or those with longer-length projects). Anyway, I think it's worth checking out, even if just for the market database.
If there's anyone out there who has tried WordHustler's other services, feel free to comment on this blog and tell us whether it's worth it!
Monday, May 3, 2010
30 ways to slant an article
Yesterday I was cleaning out my office when I came across a 2005 issue of Writers Journal. I wasn’t freelancing back then so I hadn’t paid much attention to the articles that related to freelancers. But yesterday, I re-read the issue with new eyes. Some of the articles were already quaint: one article talked about email submissions as if it were a new-fangled thing, another talked about how to use Microsoft Word, frequently encouraging readers to save their work on a floppy disk. But there was one article that, I think, will forever be useful.
The piece was on article slanting. The author, Dennis Hensley, told of his friendship with a reporter for the Associated Press, who was a master at taking one general topic and churning out dozens of different articles about it. Hensley said that the reporter got these ideas by running every topic through a grid that provided twenty-four ways to spin the subject. He then provided a sample grid and idea to show how it worked.
I thought it was a great exercise and promptly forgot about my office-cleaning project to try it out. I picked a subject that I only know a little about (gardening) and applied it to the grid. It worked great. In fact, I got so enthusiastic about the project that I enlarged the grid to 30 angles. The grid and my results are below.
Give it a whirl, keeping in mind that you won’t always get 24 (or 30) viable articles from the exercise. The grid is only a point of departure – some ideas won’t pan out on closer inspection. But even if you only find 12 or 15 potentially saleable angles, that’s still pretty good, no? Just think of the variety of potential writing markets!
Concept: Gardening
Angle: Article Idea Title
1. Regionalism: An expat’s guide to developing a French garden.
2. Humor: 5 plants even you can't kill.
3. Looking back/recalibration: Experienced gardeners weigh-in on what they would have done differently when starting their gardens.
4. Gender Differences: Tips on how to resolve differences when you and your mate have different visions for your garden.
5.Generational Differences: What your grandchild can teach you about gardening.
6. Contemporary Application: 5 ways technology can improve your garden.
7. Defusing Fear: Declare war on your weeds with these 3 homemade solutions.
8. Prosperity: How to make money from your herb garden
9. Back to Basics The ABC’s of Composting
10. Confidence-Building: It's not too late to change the theme of your garden.
11. Religious/Spiritual: Creating a spiritual space in your garden
12. The arts (poetry, music, painting, cinema) A stroll through famous gardens in poetry.
13. Insider Scoops: Six Things a Landscape Artist would never say to your face about your garden.
14. New Perspective: Yes, you can have a vegetable garden on your balcony!
15. Personal Trauma: Creating a Memorial Garden.
16. Controlling Emotions: How to deal when you hate your next-door neighbor’s garden.
17. Checklists and Procedures: Get the right pH balance for your soil in 5 simple steps.
18. Variation on the Traditional: What you need to start a rock garden.
19. Saving Money: 3 things you think you need a landscape architect for…but don’t.
20. Saving Time: 6 Gardening Tools that can cut your weeding time in half.
21. Mental and Physical Perspective: Tone your abs while pulling weeds!
22. Altruism and Self-sacrifice: How to Start a Community Garden
23. In-Depth Analysis: Book author/award-winning gardener explains the importance of drawing up sun/shade patterns before designing your garden.
24. Using Momentum: Your lawn is finally under control…time to decide on a theme!
25. Historical Perspective: The historical development of the English Garden.
26. Kids: What having a butterfly garden can teach your child.
27. Cuisine: A round-up of edible flowers for your garden (with recipes!)
28. Health: Seven herbs you should have in your garden for better health.
29. Pets: How to stop Rover from eating your petunias.
30. Travel: Five must-see botanical gardens in the world.
The piece was on article slanting. The author, Dennis Hensley, told of his friendship with a reporter for the Associated Press, who was a master at taking one general topic and churning out dozens of different articles about it. Hensley said that the reporter got these ideas by running every topic through a grid that provided twenty-four ways to spin the subject. He then provided a sample grid and idea to show how it worked.
I thought it was a great exercise and promptly forgot about my office-cleaning project to try it out. I picked a subject that I only know a little about (gardening) and applied it to the grid. It worked great. In fact, I got so enthusiastic about the project that I enlarged the grid to 30 angles. The grid and my results are below.
Give it a whirl, keeping in mind that you won’t always get 24 (or 30) viable articles from the exercise. The grid is only a point of departure – some ideas won’t pan out on closer inspection. But even if you only find 12 or 15 potentially saleable angles, that’s still pretty good, no? Just think of the variety of potential writing markets!
Concept: Gardening
Angle: Article Idea Title
1. Regionalism: An expat’s guide to developing a French garden.
2. Humor: 5 plants even you can't kill.
3. Looking back/recalibration: Experienced gardeners weigh-in on what they would have done differently when starting their gardens.
4. Gender Differences: Tips on how to resolve differences when you and your mate have different visions for your garden.
5.Generational Differences: What your grandchild can teach you about gardening.
6. Contemporary Application: 5 ways technology can improve your garden.
7. Defusing Fear: Declare war on your weeds with these 3 homemade solutions.
8. Prosperity: How to make money from your herb garden
9. Back to Basics The ABC’s of Composting
10. Confidence-Building: It's not too late to change the theme of your garden.
11. Religious/Spiritual: Creating a spiritual space in your garden
12. The arts (poetry, music, painting, cinema) A stroll through famous gardens in poetry.
13. Insider Scoops: Six Things a Landscape Artist would never say to your face about your garden.
14. New Perspective: Yes, you can have a vegetable garden on your balcony!
15. Personal Trauma: Creating a Memorial Garden.
16. Controlling Emotions: How to deal when you hate your next-door neighbor’s garden.
17. Checklists and Procedures: Get the right pH balance for your soil in 5 simple steps.
18. Variation on the Traditional: What you need to start a rock garden.
19. Saving Money: 3 things you think you need a landscape architect for…but don’t.
20. Saving Time: 6 Gardening Tools that can cut your weeding time in half.
21. Mental and Physical Perspective: Tone your abs while pulling weeds!
22. Altruism and Self-sacrifice: How to Start a Community Garden
23. In-Depth Analysis: Book author/award-winning gardener explains the importance of drawing up sun/shade patterns before designing your garden.
24. Using Momentum: Your lawn is finally under control…time to decide on a theme!
25. Historical Perspective: The historical development of the English Garden.
26. Kids: What having a butterfly garden can teach your child.
27. Cuisine: A round-up of edible flowers for your garden (with recipes!)
28. Health: Seven herbs you should have in your garden for better health.
29. Pets: How to stop Rover from eating your petunias.
30. Travel: Five must-see botanical gardens in the world.
Monday, April 19, 2010
Do You Workshop? A Writer Conference/Workshop Round-up
A good friend of mine is a fiction writer who is always attending this conference or that workshop. I’ve listened to her experiences enviously: she always seems to come away from these gathering enriched, refreshed and excited to continue with her work. Despite my envy, somehow it never really occurred to me to seek out conferences and workshops for freelancers or non-fiction writers. But after reading this post at the Writer Abroad blog, I decided that it was time to take action.
Even a cursory search on the web revealed scores of writer conferences all over the world for journalists and non-fiction writers. Though I have yet to attend a conference or workshop, from everything I’ve read, it’s clear that these gatherings can be especially valuable for expat freelancers. Here’s why:
1. Conferences provide opportunities to meet editors and agents. Many conferences have panels featuring editors and agents who discuss the latest trends and news in the publishing industry as well as describe the kind of articles and books for which they’re searching. Afterwards, writers have the opportunity to meet the panelists (in some instances, in an organized fashion) and get their ideas heard and names known. This is a special boon for us expat freelancers, whose far-flung life means we can’t do a lot of face-to-face networking with many of the editors for whom we write. (I don’t know about you, but it’s complicated for me to even schedule a phone call! But that’s mostly the kids’ fault.)
2. Conferences/workshops offer opportunities to meet other writers. It’s so easy to make connections with writers online that sometimes we may disregard the need to meet writers in real life. I know I’m guilty of this. But…call me crazy…seeing an avatar or photo of someone online just isn’t the same as meeting someone in the flesh. Conferences /workshops strike me as a great thrust into real life – and we can meet all kind of writers that maybe would have flown under our radar online. You never know where connections with other writers will lead you.
3. Conferences/workshops can introduce you to new genres and markets. I’m always bitching about the difficulty of finding new Anglophone markets/magazines as an expat. Conferences often offer seminars and sessions across all fields and genres and a variety of magazine editors attend. This makes for a great opportunity to develop new angles and interests for your writing.
If you’re concerned that the cost of travel might be an obstacle, consider this: your travel expenses, registration fees, and a few other related expenses are (most likely) tax-deductible! That’s a nice little perk that you can't ignore.
So, are you with me? Here are links to 12 conferences/workshops that take place all around the world. And as a bonus, here's an amusing (and helpful) link that offers seven ways to make the most of a conference.
If you can recommend any other good conferences for freelancers or non-fiction writers, please feel free to share!
Workshops & Conferences for Non-Fiction
1. The Paris Writers Workshop This 5-day workshop in Paris appears to be open to writers of all levels who have the requisite manuscript. Workshop sizes are limited 15 participants so register early!
2. The Geneva Writers' Group Conference In addition to an annual conference, the Geneva Writers' Group offers Saturday workshops for a variety of kinds of writing (including personal essay, opinion, travel, etc.) on the 3rd Saturday of every month.
3. Abroad Writers Conference Has multiple conferences a year, each in a different location in the world. Upcoming conferences/workshops are in France, Italy, Scotland and India.
4. Doha Writers Workshop Offers help to writers of all experience levels in Qatar.
5. San Miguel Writers Workshops Though at first glance this workshop (in Mexico) seems to be all fiction, it isn't. They offer workshops for a variety non-fiction writing, including memoir, travel, personal essays, and even blogging!
6. The International Writers' Workshop This workshop takes place in Ghana. Its non-fiction compenent mainly focuses on travel and memoirs.
Conferences & Workshops for Freelancers
7. Surrey International Writers Conference This Canadian conference can benefit writers of all stripes, fiction, non-fiction, freelance, poets. The conference provides an opportunity to schedule one-on-one meetings with agents, editors, and other professional writers.
8. American Society of Journalists and Authors Writers Conference You have to be a member of ASJA to attend this intense NYC conference. To be apply to be a member, you must submit 6 articles of 1,000 words or more that have been published in major national magazines. If you are book-writer, you must have written at least two non-fiction books, or have written one and are under contract to write another. A committee will notify you if you have been accepted. A conference to aspire to, I guess!
9. Writers and Editors: One-on-One To attend this conference in Chicago, you must submit to a committee 3 recent clips from national or regional magazines. As the title of the conference suggests, you get one-on-one time with editors from a variety of publications.
10. Travel & Words Writers Conference A one-day conference in Tacoma, Washington that welcomes all travel writers and freelancers.
11. Travel Classics Writers' Conference Another twice-yearly conference for travel writers that offers one-on-one meetings with editors. If that's not incentive enough - the conferences take place at reaaaally luxurious-looking spa hotels.
12. Blog World & New Media Expo This looks like a conference useful for every freelancer or writer, no matter what your specialty. The conference isn't just about blogging, but how to use social media to maximum effect in your writing career.
Even a cursory search on the web revealed scores of writer conferences all over the world for journalists and non-fiction writers. Though I have yet to attend a conference or workshop, from everything I’ve read, it’s clear that these gatherings can be especially valuable for expat freelancers. Here’s why:
1. Conferences provide opportunities to meet editors and agents. Many conferences have panels featuring editors and agents who discuss the latest trends and news in the publishing industry as well as describe the kind of articles and books for which they’re searching. Afterwards, writers have the opportunity to meet the panelists (in some instances, in an organized fashion) and get their ideas heard and names known. This is a special boon for us expat freelancers, whose far-flung life means we can’t do a lot of face-to-face networking with many of the editors for whom we write. (I don’t know about you, but it’s complicated for me to even schedule a phone call! But that’s mostly the kids’ fault.)
2. Conferences/workshops offer opportunities to meet other writers. It’s so easy to make connections with writers online that sometimes we may disregard the need to meet writers in real life. I know I’m guilty of this. But…call me crazy…seeing an avatar or photo of someone online just isn’t the same as meeting someone in the flesh. Conferences /workshops strike me as a great thrust into real life – and we can meet all kind of writers that maybe would have flown under our radar online. You never know where connections with other writers will lead you.
3. Conferences/workshops can introduce you to new genres and markets. I’m always bitching about the difficulty of finding new Anglophone markets/magazines as an expat. Conferences often offer seminars and sessions across all fields and genres and a variety of magazine editors attend. This makes for a great opportunity to develop new angles and interests for your writing.
If you’re concerned that the cost of travel might be an obstacle, consider this: your travel expenses, registration fees, and a few other related expenses are (most likely) tax-deductible! That’s a nice little perk that you can't ignore.
So, are you with me? Here are links to 12 conferences/workshops that take place all around the world. And as a bonus, here's an amusing (and helpful) link that offers seven ways to make the most of a conference.
If you can recommend any other good conferences for freelancers or non-fiction writers, please feel free to share!
Workshops & Conferences for Non-Fiction
1. The Paris Writers Workshop This 5-day workshop in Paris appears to be open to writers of all levels who have the requisite manuscript. Workshop sizes are limited 15 participants so register early!
2. The Geneva Writers' Group Conference In addition to an annual conference, the Geneva Writers' Group offers Saturday workshops for a variety of kinds of writing (including personal essay, opinion, travel, etc.) on the 3rd Saturday of every month.
3. Abroad Writers Conference Has multiple conferences a year, each in a different location in the world. Upcoming conferences/workshops are in France, Italy, Scotland and India.
4. Doha Writers Workshop Offers help to writers of all experience levels in Qatar.
5. San Miguel Writers Workshops Though at first glance this workshop (in Mexico) seems to be all fiction, it isn't. They offer workshops for a variety non-fiction writing, including memoir, travel, personal essays, and even blogging!
6. The International Writers' Workshop This workshop takes place in Ghana. Its non-fiction compenent mainly focuses on travel and memoirs.
Conferences & Workshops for Freelancers
7. Surrey International Writers Conference This Canadian conference can benefit writers of all stripes, fiction, non-fiction, freelance, poets. The conference provides an opportunity to schedule one-on-one meetings with agents, editors, and other professional writers.
8. American Society of Journalists and Authors Writers Conference You have to be a member of ASJA to attend this intense NYC conference. To be apply to be a member, you must submit 6 articles of 1,000 words or more that have been published in major national magazines. If you are book-writer, you must have written at least two non-fiction books, or have written one and are under contract to write another. A committee will notify you if you have been accepted. A conference to aspire to, I guess!
9. Writers and Editors: One-on-One To attend this conference in Chicago, you must submit to a committee 3 recent clips from national or regional magazines. As the title of the conference suggests, you get one-on-one time with editors from a variety of publications.
10. Travel & Words Writers Conference A one-day conference in Tacoma, Washington that welcomes all travel writers and freelancers.
11. Travel Classics Writers' Conference Another twice-yearly conference for travel writers that offers one-on-one meetings with editors. If that's not incentive enough - the conferences take place at reaaaally luxurious-looking spa hotels.
12. Blog World & New Media Expo This looks like a conference useful for every freelancer or writer, no matter what your specialty. The conference isn't just about blogging, but how to use social media to maximum effect in your writing career.
Wednesday, April 14, 2010
EuroWriter - a new magazine database
Drive-by post: Just wanted to alert all you expat freelancers (and regular freelancers) to a new magazine database that features English-language magazines published in Europe! EuroWriter is a site updated and maintained by Alistair Scott, a freelancer living in Switzerland. The site not only offers contact information and links to writers guidelines, it also features English-language writing competitions in Europe. Go check it out!
Thursday, April 8, 2010
Interview with expat freelancer Heather Stimmler-Hall
You'd be hard-pressed to find an Anglophone expatriate in Paris that hasn't heard of Heather Stimmler-Hall. For those newly arrived to Paris -- and even for many of us old-timers -- her Secrets of Paris website (and blog and newsletter) is a fantastic resource that covers all aspects of life in Paris, from where to find organic pet food to which grocery stores are open late. She is also author of the award-winning book Naughty Paris: A Lady's Guide to the Sexy City, and you'll inevitably find articles written by her in most English-language magazines about France.
I've been a subscriber to Heather's newsletter for many years, and I have admired her evident success as a freelancer abroad. So, I was delighted when she agreed to share details of her journey as writer with The Expat Freelancer.
EPF: What prompted you to move to (and stay in) Paris?
HSH: I came to Paris as a student in 1995, and eventually met and married my (now ex) husband, who was British and also living in Paris, in 1999. He's the reason I stayed initially, and after 10 years of living here I didn't want to leave, so I'm still here!
How established was your writing career when you moved here? How did you get your start?
I had taken four years of journalism classes in high school, where we produced a weekly newspaper. My senior year I worked at the daily Phoenix Gazette (now part of the AZ Republic) and did summer classes at ASU's Walter Cronkite School of Journalism. In college I worked for the school's news bureau for four years, so I already had a lot of clips and formal journalism training when I arrived in Paris. I was an editor at ELLE.com in 1999, then went freelance in 2000. It was the dot com boom, so I started off with a lot of web clients, but the crash hit right after I went freelance, so it was a tough start to the millennium.
The majority of your writing work is travel-related. Did you become a travel writer because you were in Paris, or was travel writing the niche you always wanted to work within?
I never planned on doing travel writing. I was going to be a White House correspondent (I majored in political science in college). At ELLE.com I was in charge of the travel section, and when I went freelance it was the easiest topic to sell (I had moved to the French Riviera at that point, so there were only a few low-paying freelance news jobs for English-speaking journalists). Unfortunately it's a topic that many non-professional writers are willing to do for free, so it's hard to find well-paid freelance travel writing jobs. Guidebook writing is a thankless slog of a job for little pay, but if you make your deadlines and do a good job, you can find consistent work.
When you first started writing, were you worried about your ability to earn a sufficient income as a writer abroad? In your opinion, what’s the best way, writing-wise, to earn your keep?
Ha! I took journalism in school because I wanted to make a living and being a novelist didn't seem practical. But I've always known what the average income was for my line of work, so I had no illusions going freelance. It helped that I was married to a supportive husband when I started out. The first five years as a freelancer I didn't make enough to live off. I think I make enough now because I have a few editors who hire me over and over because they know I'm professional, make my deadlines, and turn in consistently good content. (I have friends who do technical writing or business writing. They make more, but they usually tell me they hate what they do. So there is a trade off, for sure.)
What was your biggest breakthrough as an expat writer? How did it shape your career?
I think getting the job at ELLE.com (when it was still based in Hachette's Paris HQ) opened a lot of doors for me, even though I only got the job because I knew HTML (back in 1999 Paris this was incredible); I knew nothing about fashion, which is why they had me editing the travel and decor sections. When I went freelance I could easily contact the editors of major magazines because I had the name recognition behind me. It probably moved me into feature/lifestyle/travel writing and away from news/political writing, which has obviously shaped my career. I probably only write one or two non-travel articles per year now. It also helps that I've been doing my Secrets of Paris newsletter (now a website and a blog) since 1999. Putting in your time shows you are a reliable, hard working writer. Most freelancers don't last that long! ;)
What has been the biggest disadvantage of being an expat writer and how have you worked around it?
My French isn't good enough to write in French, so I can't find many jobs that pay in Euros (99% of my writing jobs are in US dollars, ugh). But I also have a private tour company, so I make Euros from that work.
Your book Naughty Paris hit the bookshelves in 2008 and you’re always hard at work on uncovering the "Secrets of Paris" for your website. What else are you working on these days?
Naughty Paris second edition and Naughty New York. I'm also always trying to improve my websites and make them more useful for the people reading them.
Do you have any advice for other expat freelancers?
Although it's possible to pretend you aren't legally living in France if all of your clients are abroad, the benefits of being in the French system (I'm covered by AGESSA) outweigh the costs, and make your life soooooo much easier in the long run. If you're living in France and writing about France (basically, "making a living off France"), pay your taxes and contribute to society and the upkeep of this beautiful city like the rest of us. ;)
Heather Stimmler-Hall is an American freelance writer living in Paris. To learn more about Heather's writings and Paris tours, visit her website: www.secretsofparis.com.
I've been a subscriber to Heather's newsletter for many years, and I have admired her evident success as a freelancer abroad. So, I was delighted when she agreed to share details of her journey as writer with The Expat Freelancer.
EPF: What prompted you to move to (and stay in) Paris?
HSH: I came to Paris as a student in 1995, and eventually met and married my (now ex) husband, who was British and also living in Paris, in 1999. He's the reason I stayed initially, and after 10 years of living here I didn't want to leave, so I'm still here!
How established was your writing career when you moved here? How did you get your start?
I had taken four years of journalism classes in high school, where we produced a weekly newspaper. My senior year I worked at the daily Phoenix Gazette (now part of the AZ Republic) and did summer classes at ASU's Walter Cronkite School of Journalism. In college I worked for the school's news bureau for four years, so I already had a lot of clips and formal journalism training when I arrived in Paris. I was an editor at ELLE.com in 1999, then went freelance in 2000. It was the dot com boom, so I started off with a lot of web clients, but the crash hit right after I went freelance, so it was a tough start to the millennium.
The majority of your writing work is travel-related. Did you become a travel writer because you were in Paris, or was travel writing the niche you always wanted to work within?
I never planned on doing travel writing. I was going to be a White House correspondent (I majored in political science in college). At ELLE.com I was in charge of the travel section, and when I went freelance it was the easiest topic to sell (I had moved to the French Riviera at that point, so there were only a few low-paying freelance news jobs for English-speaking journalists). Unfortunately it's a topic that many non-professional writers are willing to do for free, so it's hard to find well-paid freelance travel writing jobs. Guidebook writing is a thankless slog of a job for little pay, but if you make your deadlines and do a good job, you can find consistent work.
When you first started writing, were you worried about your ability to earn a sufficient income as a writer abroad? In your opinion, what’s the best way, writing-wise, to earn your keep?
Ha! I took journalism in school because I wanted to make a living and being a novelist didn't seem practical. But I've always known what the average income was for my line of work, so I had no illusions going freelance. It helped that I was married to a supportive husband when I started out. The first five years as a freelancer I didn't make enough to live off. I think I make enough now because I have a few editors who hire me over and over because they know I'm professional, make my deadlines, and turn in consistently good content. (I have friends who do technical writing or business writing. They make more, but they usually tell me they hate what they do. So there is a trade off, for sure.)
What was your biggest breakthrough as an expat writer? How did it shape your career?
I think getting the job at ELLE.com (when it was still based in Hachette's Paris HQ) opened a lot of doors for me, even though I only got the job because I knew HTML (back in 1999 Paris this was incredible); I knew nothing about fashion, which is why they had me editing the travel and decor sections. When I went freelance I could easily contact the editors of major magazines because I had the name recognition behind me. It probably moved me into feature/lifestyle/travel writing and away from news/political writing, which has obviously shaped my career. I probably only write one or two non-travel articles per year now. It also helps that I've been doing my Secrets of Paris newsletter (now a website and a blog) since 1999. Putting in your time shows you are a reliable, hard working writer. Most freelancers don't last that long! ;)
What has been the biggest disadvantage of being an expat writer and how have you worked around it?
My French isn't good enough to write in French, so I can't find many jobs that pay in Euros (99% of my writing jobs are in US dollars, ugh). But I also have a private tour company, so I make Euros from that work.
Your book Naughty Paris hit the bookshelves in 2008 and you’re always hard at work on uncovering the "Secrets of Paris" for your website. What else are you working on these days?
Naughty Paris second edition and Naughty New York. I'm also always trying to improve my websites and make them more useful for the people reading them.
Do you have any advice for other expat freelancers?
Although it's possible to pretend you aren't legally living in France if all of your clients are abroad, the benefits of being in the French system (I'm covered by AGESSA) outweigh the costs, and make your life soooooo much easier in the long run. If you're living in France and writing about France (basically, "making a living off France"), pay your taxes and contribute to society and the upkeep of this beautiful city like the rest of us. ;)
Heather Stimmler-Hall is an American freelance writer living in Paris. To learn more about Heather's writings and Paris tours, visit her website: www.secretsofparis.com.
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