Want to write a nonfiction book in one month?

Today marks the start of NaNoWriMo (National Novel Writing Month), a month in which fiction writers double-down and attempt to write a  50,000 word (or more) novel during the 30 days of November.  Participates officially sign up on the NaNoWriMo website and submit their manuscript at the end of November to get the word-count checked.

As a non-fiction writer, I've always been a wistful witnessing the enthusiasm and community spirit of the would-be novelists participating in NaNoWriMo.  I mean - I love it!  Trying to complete a novel in one month?  That's inspired! 

But there's no need for envy.

Yesterday, while reading the Writer’s Sherpa blog, I was excited to learn that there is also a NaNonFiWriMo challenge going on.  Anyone who accepts this challenge will do his or her best to complete any work of non-fiction by the end of this month. 

Unlike our novelist counterparts, we non-fiction writers don’t have to meet a word count or officially enter a competition. And it doesn’t matter if you already started writing the piece prior to November.  This a personal writing challenge, pure and simple.  The only prize is the deep satisfaction of having completed a non-fiction writing goal. 

As a bonus, Nina Amir, the author who started NaNonFiWriMo, is offering 30 days of blog posts from top writing experts offering tips on writing non-fiction and how to get that work published. You can read more about the NaNonFiWriMo challenge on Nina’s blog.  

I definitely need this kind of fire under my butt to finish my “Kids in Paris” ebook, so count me in! 

Any expat freelancers out there with me?  Let’s help each other to get some serious work done this month!!  Please leave a comment if you are taking up the challenge!

Finding Balance in Life

 (Photo credit: Michelle Meiklejohn, freeditigalphotos.net)

I couldn't decide where to put this post because I think the advice is useful for both moms and freelancers.  So, I'm doing something I've never done before and cross-posting it at my other blog, International Mama.  Wherever you're reading it, I hope you find it helpful! 

Last week, the Urban Muse posed the question: what is your biggest challenge as a freelance writer? Many of the responses, including my own, concerned finding a suitable work-life balance.  Because we freelancers don’t have to punch the clock, it’s all too easy to allow one aspect of our life – usually work –to dominate the other.

  

But you know what?  One day, last September, I did it.   For about, oh, four hours, I understood my life to be in perfect balance. Don’t laugh!  As far as I'm concerned feeling that the world is perfectly aligned for four hours is an amazing achievement.  As an expat, I am perpetually seeking – consciously or not – to find a balance between my own culture with that of my adopted country.  Because I’m married to someone of a different nationality, I have to do the same in my marriage.  Throw a couple of young kids and a new career into the mix and you’ve got one off-kilter lady.

But last September, for that brief period, it all worked.  More than worked – it flowed.   

That day was no less busy than any other.  I had to drop my three-year old off at school and then pick him up three hours later.  I had two big assignments due that I hadn’t yet begun.  The baby had a doctor’s appointment later.  My husband was out of town for the week, so, I’d have to handle the exhausting evening rituals (dinner, bath, bed) by myself and then pray that the kids would stay asleep so that I could work as late as I could, then get some sleep myself.  Normally on days such as this, my mind is constantly abuzz, skipping ahead to the next task on my list before I’ve completed the first one.  But  on this day, as I picked up my son from school, my mind grew quiet.  

As we walked down the street, I noticed that the sky was a deep, pure blue and that the leaves on the trees were beginning to turn yellow-brown. I became aware of the pressure of my son’s hand in mine, of the sweet, singing quality of his voice, and of the rush of pleasure these things gave me.  I enjoyed the way the autumn breeze made my open trench coat flap slightly as we walked, and the tapping sound my boots made on the pavement.  With every step we took, I grew more and more connected with everything around me, as if I were beginning to see my place in part of an enormous, smoothly functioning machine. For once, I wasn’t borrowing time from the future or the past. Every moment belonged to itself. I was wholly – in New Age parlance – “in the moment.”  

This sense of connectedness lasted until we got on the metro, and then slowly began to dissipate. But I didn’t feel any panic or depression as the feeling left me.  Instead, I felt both relaxed and empowered. I suddenly understood the key to having a balanced life: being truly present. 

Riding the metro home, I had no urge to check my cell phone, check my to-do list, make notes on an article, send out a tweet,  dwell on my crammed schedule or engage in any of my usual multi-tasking habits.  I was simply happy to sit and listen to my son tell me how he “drew a picture of my belly” at school (no, I wasn’t pregnant – thanks kid.)  

When I got home and turned my son over to the babysitter, I sat down to work without guilt and without anxiety for the tasks ahead.  Time felt different to me; both more precious and more plentiful. It occurred to me that we generally view time as something that is forever slipping away from us, not as something that we always have.  But we do always have time.  Maybe not time enough to achieve every task on our list, but time enough to fully appreciate the things we can accomplish. 

Since this revelation, can I now claim to always have a perfectly balanced life?  God, no!  But now, whenever I feel overwhelmed with work or life, I take a moment to recognize that it’s not necessarily my work-life balance that needs adjusting – but my attitude.  Multi-tasking, letting my mind wander, worrying about anything except the matters in front of me can make my whole world spin.  

Taking a good look at the advantages, opportunities and beauty of the moment helps to set it right again.

How about you? What helps you to find balance?

How to Be Your Own Client

image provided by freedigitalphotos.com

Has this ever happened to you?: You’re writing a piece for a client or editor and that piece is singing to you. Your mind is fizzing with fresh ideas; the words are flowing, smooth as milk. Every time you meet an obstacle, you battle it like a knight and leave its steaming carcass in your wake. You almost hate to let the piece go, you’ve enjoyed working on it so much, but it’s done, finished. You look it over, hit send, and off it goes to the client/editor.

Now it's time for your personal writing projects!

But your creative well has abruptly gone dry. Composing every sentence feels like pulling a live tooth. Each obstacle you meet looms big and scary and it whispers really mean things about ability as a writer and the pointlessness of your task. Your mind starts to wander. You start tweeting random stuff. But then – you remember that there’s another assignment you could be working on! One for a paying client! You quickly abandon your own project and start working on the other assignment. Amazingly, your energy is restored, the words are flowing, and every challenge you face, bested.

If that’s never happened to you – respect. But I’m sure there are more than a few people out there who know what I’m talking about. I had one of those days last week. But as I put away my own stalled project to be fruitful with someone else’s, I sighed: I wish I could be my own client.

Cue the thunderclap, light bulb, choir of angels or whatever imagery you prefer to use when you have a revelation. Suddenly, I realized that there was absolutely no reason why I couldn’t offer myself the same attention and creative power than people who pay me. I just had to figure out how. Here’s what I came up with:

1. Don’t just set goals – set a deadline.

Write down every task you need to do for your personal project: research, writing, interviews, etc. and then set a firm deadline for each one. I have never missed a deadline for a client/editor. The very idea makes me feel ill. Meeting deadlines is the bare minimum of professional conduct, right? Why, then, are we so willing to push off personal deadlines? If you want to be your own client, you need to start holding yourself to the same professional standards.

2. Keep the “big picture” in mind as you work.

When you’re working for someone else, it’s easy to keep the “big picture” in mind. The big picture is usually a paycheck. Or exposure. Or building a portfolio and what have you. Once you’ve done the work, you know immediately what you’ve gained. It’s not so easy to see the big picture when you’re working on a personal project. You know what you hope to gain, but you also know that it may be a long while before you reap the fruits of your labor. Find some way of keeping the big picture in front of you as you work. It may be as simple as putting a big Post-It note on your computer screen saying: “Fame & Fortune” if that’s what you seek. Or “Financial Independence.” Or “I’m Quitting My Day Job.” You could also find a picture that embodies whatever it is you aspire to through your personal writing and put that on your desk. Whatever method you choose, make sure it’s something physical and in plain view so it can constantly remind you of your ultimate goal.

3. Obtain feedback on your work.

The nice thing about working for people other than yourself is that you usually receive feedback on your work. Of course, it’s always lovely to get positive feedback, but sometimes even critical feedback is welcome. When working on personal projects, you often get no feedback at all. This can make you feel as if you’re working in total darkness, groping and feeling your way forward. And who wants to work like that? Get some feedback on your work. Form a writer’s group. Join a writer’s forum. Get out there and let another writer you trust to shine some light on your project.

4. Praise yourself when you’ve done a good job.

Of course there will be plenty of times when you know you’ve done a good job without anyone telling you. And when that happens, don’t be afraid to pat yourself on the back or publicly acknowledge the good work you’ve done. After all, you’re the client. And when you’ve made the client happy, you deserve to feel good.

What would you add to this list?

5 Mistakes Every Freelance Writer Should Avoid

Yes, yes...shame on me for not posting in so long. But be happy for me! Silence on the blog generally means that I've had lots of paying work to keep me busy. It's sad that the blog falls by the wayside during busy stretches, but hey - something's gotta give. And now that I'm entering a "famine" period, I have time to share with you some of the stuff that I've learned.

I've noticed recently that pretty much every freelance blog has an article titled something like: "5 Mistakes Freelance Writers Make" so I thought I'd go ahead and throw in my 2 centimes.

1. Failing to follow-up on queries, promising leads, etc. Always, always, always follow-up on queries that you've sent or any leads you've gotten. About 50% of the magazine work I've snagged has come from following-up on original queries that went unanswered. Most of the time, the editor has actually thanked me for sending a follow-up, saying that s/he was interested but lost track of the query, the time, etc. You may be letting potential work slip through your fingers if you don't follow up, so make sure that you do! Even if you get a rejection on the follow-up, you can take advantage of the contact by quickly throwing more ideas in the editor's path while your name is still fresh in his or her mind.

2. Being a Perfectionist. It sounds like a great answer to that classic job interview question "What is your greatest weakness?" but striving for perfection can hurt as much as it can help. It can make you less efficient, promotes procrastination, and keeps you from advancing. I am a recovering perfectionist. I used to spend weeks on a single query letter. I'd interview and sometimes even re-interview potential sources to find the perfect quote to include in the pitch. Or I would spend days and days immersing myself in background research, as if an editor was going to give me a pop quiz on the subject. And then, of course, I would write the query letter over and over, looking at it from every conceivable angle, until I felt assured of its brillance and perfection. But none of this saved me from receiving rejections and it wasted a lot of time.

These days, I avoid the trappings of perfectionism by setting a reasonable estimated time for completion of a project. If I find myself taking too long on a task, I step back and make an honest assessment of whether the extra time is justified. If not, I force myself to move on. Since becoming less of a perfectionist, my productivity has improved immensely --and I don't think the quality my work has suffered at all.

3. Failing to fully understand the terms of service and publication. Always make sure that you understand everything that is required of you and the circumstances of publication before starting to write. When is the article due? How many words should it be? What rights are you retaining? When will it be published? When will you be paid? Is there a kill fee? Does the editor expect you to provide photographs? All of this information should be clear - and in writing - before you lift a pen (or move your mouse).

4. Failing to Diversify. It's nice to have steady work with a client that always pays on-time. But it doesn't pay to get too comfortable with the gig, no matter how reliable it seems. What will you do if your client's business folds or no longer needs you? A freelance writer should always be looking for the next (or another) gig. It's exhausting, but it's the trade-off for being able to work in our pajamas. And this leads me to my final point....

5. Failing to Have a Plan for Your Career. You know, I thought I had a plan for my freelance career. But after having read the very excellent book, "The Wealthy Freelancer"
I have come to realize that all I really have is a bunch of goals. Naturally, having clear, written short-term and long-terms goals for your writing is essential, but it's not necessarily the same thing as having a plan. Goals tell you where you want to go; plans tell you how to get there. Freelancing is a business and without a proper business plan, you may find yourself career stalled.

Happy Writing!

Notes from the Motherland

Ahhh...it's great to be in the Motherland. When I walk into the bookstore and see the array of magazines on display (so bountiful and so cheap, compared to the jacked up international prices) I bemoan my expat status. How easy freelancers have it here! I think. I would be churning out dozens of queries a week, if I lived here.

It's not true, of course. My two little monsters are the primary reason I don’t write more, not my diminished access to U.S. writing markets. But nonetheless, I am scrambling to take advantage of my time in the U.S. and accomplish a slew of freelancing tasks that are easier to do over here than over there.

For the expat freelancer that may be visiting his or her home country for a spell this summer, here are a few freelance-related duties you might want to take care of while there:

1. Pay a lengthy visit to the bookstore.

I’ve always adored books and bookstores, so it’s great to have a job that virtually demands that I spend a lot of time in one. When I’m at a bookstore for professional purposes, I spend about 60% of my time hanging out at the magazine stand, searching for new markets and staying updated on old ones. I spend 30% of the time checking out the latest nonfiction books to assess which topics are hot and might be relevant to articles or queries that I have in the pipeline. I jot down any titles and/or authors that might be a good future source. The remainder of the time, I loaf around in fiction.

2. Research at the library.
Expat freelancers based in Paris are lucky to have the American Library in Paris at their disposal. But the library is based upon donations and doesn’t always have the most recent books. Neither do online libraries. So, when I return to the U.S., I always bring a list of topics that I want to research in the library while I’m there.

3. Do some interviews

Most of the sources that I interview are based in the U.S. When possible, I schedule telephone interviews while I’m in the U.S. so that I don’t have to deal with huge time zone differences. Trying to schedule a phone interview with a person in Seattle while I’m in France just sucks.


4. Check out local markets

I am fiercely jealous of freelancers based in their home country because not only they (probably) have an easier time finding new markets, they also have access to plenty of local markets. While at home, I grab up every halfway interesting-looking local paper, magazine or rag. Most of the time they publish local news, but some of them have travel departments that may be worth looking into.

5. Take an Editor to Lunch

Two of my favorite freelance writing guidebooks recommend occasionally taking editors that you work for out for lunch to improve client relations and get an opportunity to present your ideas in person. Hmmph. None of the publications I write for are based in my home city and, even if there was one here, I’m not sure whether I’d actually have the gumption to ask an editor out for lunch. It sounds like a good idea, though, if you think the editor might be amenable to that sort of thing and you have the sort of personality that could pull a lunch like that off. Me, I’m not ready for that. Maybe next summer.

Don't. Stop. Me. Now! (I'm having such a good time... having a ball...)

I wasn’t sure where to put this post – here or at my other blog, International Mama. But I guess it’s most appropriate here since maybe other expat freelancers can relate.

In my last post, I mentioned how living abroad means working around an unfamiliar vacation schedule. I was pretty cheery about it in that post, having just spent 10 days in the sunny climes of Biarritz. But now it’s the middle of June and my real summer vacation is looming in front of me like a black hole. I know that as much as I’ll fight it initially, come the start of July I’m going to get sucked into that hole and not fully emerge until the beginning of September. It’s making me sad.

People who don’t freelance don’t really get it: “Just enjoy!” they say. Or, if American they say, “I wish I had so much vacation.” And I respond: “I wish someone would continue to pay me during my vacations!”

But, you know what? It isn’t just missing out on a paycheck. I hate losing momentum. I’ve had some great breaks in the past two months and I want to keep riding on that high you get when people like – and pay for - your work. Vacations make me happy but so does getting an email that says: “love that story idea…will be sending you a contract shortly.” My husband thinks I’m a workaholic. But really I just love writing. I love building a career from scratch. I love feeling increasingly confident about my work and taking on bigger challenges.

Right about now, you might be saying: so, don’t take such a long vacation. Uh-huh, I hear through my computer. Well, the thing is, my other job requires me to go on vacation: my mom job. The tots need to spend time with my family in the U.S. They need to see their family in Germany. They need to spend time with me and my husband, when we’re not sneaking glances at our cell phones or “just quickly checking” something on the computer. To accomplish all this traveling takes time – and thank goodness for our kids – time is something we have.

I know that once vacation starts, I won’t be worrying too much about the work I’m missing. I’ll get a chance to do some personal journaling. I’ll get lots of article ideas. And I’ll get my writing groove back in September. Still, as vacation inches ever closer, I can’t help but feel as if I’m preparing to say goodbye to a good friend for awhile.

Readers - what about you? Are you reluctant to stop working? Is this an expat problem or a freelancer problem? Or maybe a mom problem?

30 ways to slant an article

Yesterday I was cleaning out my office when I came across a 2005 issue of Writers Journal. I wasn’t freelancing back then so I hadn’t paid much attention to the articles that related to freelancers. But yesterday, I re-read the issue with new eyes. Some of the articles were already quaint: one article talked about email submissions as if it were a new-fangled thing, another talked about how to use Microsoft Word, frequently encouraging readers to save their work on a floppy disk. But there was one article that, I think, will forever be useful.

The piece was on article slanting. The author, Dennis Hensley, told of his friendship with a reporter for the Associated Press, who was a master at taking one general topic and churning out dozens of different articles about it. Hensley said that the reporter got these ideas by running every topic through a grid that provided twenty-four ways to spin the subject. He then provided a sample grid and idea to show how it worked.

I thought it was a great exercise and promptly forgot about my office-cleaning project to try it out. I picked a subject that I only know a little about (gardening) and applied it to the grid. It worked great. In fact, I got so enthusiastic about the project that I enlarged the grid to 30 angles. The grid and my results are below.

Give it a whirl, keeping in mind that you won’t always get 24 (or 30) viable articles from the exercise. The grid is only a point of departure – some ideas won’t pan out on closer inspection. But even if you only find 12 or 15 potentially saleable angles, that’s still pretty good, no? Just think of the variety of potential writing markets!


Concept: Gardening
Angle: Article Idea Title

1. Regionalism: An expat’s guide to developing a French garden.

2. Humor: 5 plants even you can't kill.

3. Looking back/recalibration: Experienced gardeners weigh-in on what they would have done differently when starting their gardens.

4. Gender Differences: Tips on how to resolve differences when you and your mate have different visions for your garden.

5.Generational Differences: What your grandchild can teach you about gardening.

6. Contemporary Application: 5 ways technology can improve your garden.

7. Defusing Fear: Declare war on your weeds with these 3 homemade solutions.

8. Prosperity: How to make money from your herb garden

9. Back to Basics The ABC’s of Composting

10. Confidence-Building: It's not too late to change the theme of your garden.

11. Religious/Spiritual: Creating a spiritual space in your garden

12. The arts (poetry, music, painting, cinema) A stroll through famous gardens in poetry.

13. Insider Scoops: Six Things a Landscape Artist would never say to your face about your garden.

14. New Perspective: Yes, you can have a vegetable garden on your balcony!

15. Personal Trauma: Creating a Memorial Garden.

16. Controlling Emotions: How to deal when you hate your next-door neighbor’s garden.

17. Checklists and Procedures: Get the right pH balance for your soil in 5 simple steps.

18. Variation on the Traditional: What you need to start a rock garden.

19. Saving Money: 3 things you think you need a landscape architect for…but don’t.

20. Saving Time: 6 Gardening Tools that can cut your weeding time in half.

21. Mental and Physical Perspective: Tone your abs while pulling weeds!

22. Altruism and Self-sacrifice: How to Start a Community Garden

23. In-Depth Analysis: Book author/award-winning gardener explains the importance of drawing up sun/shade patterns before designing your garden.

24. Using Momentum: Your lawn is finally under control…time to decide on a theme!

25. Historical Perspective: The historical development of the English Garden.

26. Kids: What having a butterfly garden can teach your child.

27. Cuisine: A round-up of edible flowers for your garden (with recipes!)

28. Health: Seven herbs you should have in your garden for better health.

29. Pets: How to stop Rover from eating your petunias.

30. Travel: Five must-see botanical gardens in the world.

Interview with expat freelancer Heather Stimmler-Hall

You'd be hard-pressed to find an Anglophone expatriate in Paris that hasn't heard of Heather Stimmler-Hall. For those newly arrived to Paris -- and even for many of us old-timers -- her Secrets of Paris website (and blog and newsletter) is a fantastic resource that covers all aspects of life in Paris, from where to find organic pet food to which grocery stores are open late. She is also author of the award-winning book Naughty Paris: A Lady's Guide to the Sexy City, and you'll inevitably find articles written by her in most English-language magazines about France.

I've been a subscriber to Heather's newsletter for many years, and I have admired her evident success as a freelancer abroad. So, I was delighted when she agreed to share details of her journey as writer with The Expat Freelancer.

EPF: What prompted you to move to (and stay in) Paris?

HSH: I came to Paris as a student in 1995, and eventually met and married my (now ex) husband, who was British and also living in Paris, in 1999. He's the reason I stayed initially, and after 10 years of living here I didn't want to leave, so I'm still here!

How established was your writing career when you moved here? How did you get your start?

I had taken four years of journalism classes in high school, where we produced a weekly newspaper. My senior year I worked at the daily Phoenix Gazette (now part of the AZ Republic) and did summer classes at ASU's Walter Cronkite School of Journalism. In college I worked for the school's news bureau for four years, so I already had a lot of clips and formal journalism training when I arrived in Paris. I was an editor at ELLE.com in 1999, then went freelance in 2000. It was the dot com boom, so I started off with a lot of web clients, but the crash hit right after I went freelance, so it was a tough start to the millennium.

The majority of your writing work is travel-related. Did you become a travel writer because you were in Paris, or was travel writing the niche you always wanted to work within?

I never planned on doing travel writing. I was going to be a White House correspondent (I majored in political science in college). At ELLE.com I was in charge of the travel section, and when I went freelance it was the easiest topic to sell (I had moved to the French Riviera at that point, so there were only a few low-paying freelance news jobs for English-speaking journalists). Unfortunately it's a topic that many non-professional writers are willing to do for free, so it's hard to find well-paid freelance travel writing jobs. Guidebook writing is a thankless slog of a job for little pay, but if you make your deadlines and do a good job, you can find consistent work.

When you first started writing, were you worried about your ability to earn a sufficient income as a writer abroad? In your opinion, what’s the best way, writing-wise, to earn your keep?

Ha! I took journalism in school because I wanted to make a living and being a novelist didn't seem practical. But I've always known what the average income was for my line of work, so I had no illusions going freelance. It helped that I was married to a supportive husband when I started out. The first five years as a freelancer I didn't make enough to live off. I think I make enough now because I have a few editors who hire me over and over because they know I'm professional, make my deadlines, and turn in consistently good content. (I have friends who do technical writing or business writing. They make more, but they usually tell me they hate what they do. So there is a trade off, for sure.)

What was your biggest breakthrough as an expat writer? How did it shape your career?

I think getting the job at ELLE.com (when it was still based in Hachette's Paris HQ) opened a lot of doors for me, even though I only got the job because I knew HTML (back in 1999 Paris this was incredible); I knew nothing about fashion, which is why they had me editing the travel and decor sections. When I went freelance I could easily contact the editors of major magazines because I had the name recognition behind me. It probably moved me into feature/lifestyle/travel writing and away from news/political writing, which has obviously shaped my career. I probably only write one or two non-travel articles per year now. It also helps that I've been doing my Secrets of Paris newsletter (now a website and a blog) since 1999. Putting in your time shows you are a reliable, hard working writer. Most freelancers don't last that long! ;)

What has been the biggest disadvantage of being an expat writer and how have you worked around it?

My French isn't good enough to write in French, so I can't find many jobs that pay in Euros (99% of my writing jobs are in US dollars, ugh). But I also have a private tour company, so I make Euros from that work.


Your book Naughty Paris hit the bookshelves in 2008 and you’re always hard at work on uncovering the "Secrets of Paris" for your website. What else are you working on these days?

Naughty Paris second edition and Naughty New York. I'm also always trying to improve my websites and make them more useful for the people reading them.

Do you have any advice for other expat freelancers?

Although it's possible to pretend you aren't legally living in France if all of your clients are abroad, the benefits of being in the French system (I'm covered by AGESSA) outweigh the costs, and make your life soooooo much easier in the long run. If you're living in France and writing about France (basically, "making a living off France"), pay your taxes and contribute to society and the upkeep of this beautiful city like the rest of us. ;)

Heather Stimmler-Hall is an American freelance writer living in Paris. To learn more about Heather's writings and Paris tours, visit her website: www.secretsofparis.com.

The positive side of rejections

Last night, I got a rejection email for a pitch that I sent to a national glossy a couple of months ago. Addressing me by my first name, the editor thanked me but said they’d decided to cover the topic in a different way. As far as rejections go, it was pretty neutral. There was nothing in it to make me hopeful about future pitches (though previous rejections from this editor had encouraged me to send more queries) nor did it make me want to curl up and cry. When I turned off my computer and went to bed for the night, I thought about the rejection again and felt strangely content.

I often feel this way about rejections.

I don’t know how it is for most of you freelancers out there, but I don’t receive a response of any kind for more than half of my pitches. This annoys the crap out of me. I put a lot of effort into each pitch, gathering expert quotes and sources, and make sure to suggest an appropriate department of the magazine for the story. I know editors are swamped, but how hard can it be to type a quick “no thanks” as a courteous nod to the work the pitch entailed? I could understand ignoring the query if it was topically off-base or full of misspelling and grammatical errors, but my queries aren’t.

As I lay in bed, I started thinking about why rejections bring a certain satisfaction to me and came up with the following:

1. Rejections bring closure. I dislike the tired word “closure” but it’s accurate here. I appreciate knowing when a query is officially off the table and I’m free to shop it to the next pub. Of course, since so many editors don’t bother with rejection letters, most of the time I don’t wait for a rejection to send a query off again. Still, it’s nice to know that I can send it elsewhere without any potential awkwardness.

2. Rejections are a form of acknowledgement. A rejection means that my email got to where it was supposed to go (I always fear that it is sitting unread in someone’s spam folder). It also means that someone read it and gave it at least a few seconds of thought, possibly much more.

3. Rejections bring opportunity. Rejections are a good opportunity to contact the editor again. After receiving last night’s rejection, I quickly sent an email to the editor thanking her for her response and promising her another query in the near future. I spent this morning researching other topics so that I can send her another pitch later this week. At the very least, this will help to keep me on her radar screen. Even if she rejects the next pitch, at least I’m taking steps towards becoming a familiar name to her. The more familiar I become to her, the more willing she might be to take a chance on one of my proposals…assuming, of course, that I’m presenting her with good work.

4. Rejections are part of the writing life. To me, rejection is the flip side of publishing an article –a kind of badge of courage. A few years ago several freelancers on the writer's forum that I frequent made goals to receive a certain number of rejections a year instead of acceptances. I thought that was pretty wise. If you’re getting rejections, it means you’re putting your ideas and work out there. It means you’re trying. It means you’re writing. Rejections are an inevitable part of a writer’s life. And somehow it’s the teensiest bit satisfying to receive this confirmation that a writer’s life is indeed mine.

How do you handle rejections? Have you ever had something positive arise out of a rejection?